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It’s an 80’s Thing: Revisiting Stranger Things – Season 1

It’s an 80’s Thing: Revisiting Stranger Things – Season 1

With the second season now streaming on Netflix, Richard revisits the first batch of nostalgic horror from the Duffer Brothers. 

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CULT CORNER: Pet Sematary (1989)

CULT CORNER: Pet Sematary (1989)

Rod don’t wanna be buried in a pet cemetery! Is this Stephen King adaptation still a worthy entry? 

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LICENSE TO THRILL?: James Bond 007: Blood Stone (2010)

LICENSE TO THRILL?: James Bond 007: Blood Stone (2010)

Daniel Craig and Judi Dench are on hand for one of the most underrated Bond games ever. 

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CINEMA CLASSICS: The Ten Commandments (1956)

CINEMA CLASSICS: The Ten Commandments (1956)

Oscar gets biblical with a Charlton Heston epic. 

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A View to a Killing Spree: Revisiting The Hitman’s Bodyguard

A View to a Killing Spree: Revisiting The Hitman’s Bodyguard

Samuel L. Jackson and Ryan Reynolds join forces in this chalk-and-cheese action comedy. Cal thinks it is better than the Netflix tag may suggest. 

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A Score for a Score: Revisiting Baby Driver

A Score for a Score: Revisiting Baby Driver

How did a “heist movie driven by music” become one of the highlights of the decade? You let Edgar Wright off the chain, of course…

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The Last of the Gunslingers?: Revisiting The Dark Tower

The Last of the Gunslingers?: Revisiting The Dark Tower

Is this long-awaited Stephen King adaptation as bad as you’ve been told? Super-fan Richard picks up his twin pistols to find out. 

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REVIEW: Blade Runner 2049 (2017)

REVIEW: Blade Runner 2049 (2017)

It’s a genuine work of art… so it isn’t making money. Cal tells you why this long-in-the-tooth sci-fi sequel deserves your hard-earned cash. 

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CINEMA CLASSICS: Blade Runner (1982)

CINEMA CLASSICS: Blade Runner (1982)

With the anticipated sequel in cinemas, Oscar revisits Ridley Scott’s sci-fi classic in its Final Cut glory. 

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CULT CORNER: Escape from New York (1981)

CULT CORNER: Escape from New York (1981)

Kurt Russell dons the eye-patch for his most famous role in John Carpenter’s low-budget dystopian classic. Cal gives it a revisit. 

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