Post Tagged with: “Die Hard”

REVIEW: Security (2017)

REVIEW: Security (2017)

Antonio Banderas falls ever further into DTV land with this Die Hard-esque action thriller. But is it better than you’d assume? Cal gives it a chance. 

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CULT CORNER: Road House (1989)

CULT CORNER: Road House (1989)

Patrick Swayze is the ultimate bar “cooler” in this testosterone-riddled 80s favourite. Richard gives it another look. 

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PODCAST: It Came from Across the Pond #8: “Best Christmas Movies Ever”

PODCAST: It Came from Across the Pond #8: “Best Christmas Movies Ever”

The boys are joined by a guest to discuss the best in Yuletide cinema. Did your favourite make the list? 

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SquabbleCast #20: “Underrated Sequels”

SquabbleCast #20: “Underrated Sequels”

As a precursor to our next video production, Ross Hadlington joins Dave for a chat all about those underrated sequels that need more love, including such franchises as Tremors, Scream, Die Hard and Rocky. 

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SEQUELISED: London Has Fallen (2016)

SEQUELISED: London Has Fallen (2016)

Gerard Butler is back to take on terrorists in this homegrown sequel. Cal argues that it’s a pretty good action movie. Wait, what?!

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SquabbleCast #15: “Fine Carpentry”

SquabbleCast #15: “Fine Carpentry”

Ross Hadlington, film buff, joins Dave for a trawl through the cinematic catalogue of the legendary John Carpenter. 

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AGAINST THE GRAIN: Last Action Hero (1993)

AGAINST THE GRAIN: Last Action Hero (1993)

Arnold Schwarzenegger goes meta in John McTiernan’s underrated action blockbuster. Richard gives it another play. 

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Ma-Ma’s Not the Law: Revisiting Dredd

Ma-Ma’s Not the Law: Revisiting Dredd

Does the Judge still have it?

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SquabbleCast #11: “Underrated Action Movies”

SquabbleCast #11: “Underrated Action Movies”

Dave is joined by podcast newbie Ross Hadlington and his brother Scott for a discussion of the most underrated, under-seen and overlooked gems in the action movie genre. 

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The Forgotten Die Hard: Revisiting The Last Boy Scout

The Forgotten Die Hard: Revisiting The Last Boy Scout

Cal revisits a Tony Scott-directed, Shane Black-written outing for Bruce Willis. Does it hold up? 

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